Jayeshbhai Jordaar Movie Review: Ranveer Singh Makes Your Heart Go Boom In A Not-So-Jordaar Film
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Jayeshbhai Jordaar Movie Review: Ranveer Singh Makes Your Heart Go Boom In A Not-So-Jordaar Film


Story

Story


Jayeshbhai
Jordaar

begins
in
our
hero’s
(Ranveer
Singh)
voiceover
where
he
talks
about
how
while
the
world
is
busy
searching
for
life
on
Mars,
his
family
is
more
concerned
about
getting
a
‘nanka’
(male
heir)
for
their
lineage
to
flourish.
In
between,
we
learn
that
Jayeshbhai’s
pregnant
wife
Mudhra
(Shalini
Pandey)
had
multiple
miscarriages
in
the
past,
and
that
her
frail
body
might
be
able
to
conceive
for
the
last
time.
Jayeshbhai
and
Mudhra
are
already
parents
to
a
young
girl
Siddhi
(Jia
Vidya).

After
a
pre-natal
determination
test
when
Jayeshbhai
learns
that
his
wife
is
expecting
a
girl
child
again,
he
finally
musters
courage
to
protect
his
wife
and
his
unborn
daughter
from
his
chauvinistic
parents
(Boman
Irani
and
Ratna
Pathak
Shah).
Will
he
win
this
fight
against
the
regressive
mindset?

Direction

Direction

At
a
time
when
you
have
the
testosterone-driven
heroes
ruling
the
big
screen,
debutant
writer-director
Divyang
Thakkar
tries
to
turn
the
tide
with
his
timid
but
determined
hero.
Unfortunately,
he
is
failed
by
a
lackluster
script
and
weak
execution
which
works
only
in
parts
and
pieces.


Jayeshbhai
Jordaar

starts
on
a
banger
note,
but
soon
loses
its
identity
as
it
tries
to
breathe
under
a
pile
of
topics
like
female
foeticide,
gender
stereotype,
disparity
and
domestic
violence.
The
humour
also
loses
its
punch
with
the
passing
time,
and
preachiness
seeps
in
especially
post
interval.

If

Munnabhai
MBBS

had
‘jaadu
ki
jhappi’,

Jayeshbhai
Jordaar

has
its
own
weapon
in
the
form
of
‘pappi’.
In
one
of
the
scenes
what
could
have
been
an
emotionally-charged
sequence
otherwise,
this
bizarre
plot
element
makes
its
entry
and
then,
things
only
get
ridiculous
from
thereon.
Finally,
when
the
end
credits
roll,
you
are
left
with
nothing
but
a
handful
of
good
scenes.

Performances

Performances

It’s
no
doubt
that
Ranveer
Singh
is
one
of
the
finest
talents
in
the
country
who
shape-shifts
into
any
role
and
delivers
it
with
sincerity
and
conviction.


Jayeshbhai
Jordaar

is
no
different.
Here
too,
the
actor
makes
sure
to
get
the
authenticity,
body
language
and
nuances
right,
and
it
reflects
on
the
screen
as
well.
However,
the
mediocre
writing
barely
gives
him
a
chance
to
make
Jayeshbhai
a
‘jordaar’ character.
Nevertheless,
he
still
manages
to
leave
a
mark
in
his
own
way.


Arjun
Reddy

fame
Shalini
Pandey
makes
a
good
debut
in
the
Hindi
Film
Industry
and
gets
her
submissive
act
on
point
in
the
film.

But,
the
real
firecracker
of

Jayeshbhai
Jordaar

is
Jia
Vaidya
who
plays
the
lead
pair’s
fiesty
daughter
Siddhi.
She
brings
in
that
much
needed
energy
in
the
incoherent
narrative.

Boman
Irani’s
portrayal
of
toxic
masculinity
also
catches
your
attention.
Ratna
Pathak
Shah
delivers
a
satisfying
performance.

Technical Aspects

Technical
Aspects

The
production
value
of

Jayeshbhai
Jordaar

has
nothing
novel
to
offer.
Siddharth
Diwan’s
camerawork
is
satisfactory.
Namrata
Rao’s
editing
also
works
fine.

Music

Music

Barring
‘Firecracker’
which
plays
during
the
closing
credits,
there’s
hardly
anything
hummable
in
Ranveer
Singh-starrer

Jayeshbhai
Jordaar.

Verdict

Verdict

In
one
of
the
scenes,
Jayeshbhai
tells
his
daughter,

“Mandir
mein
jaate
hai
toh
waha
humko
puchte
hai
ki
prasad
mein
kya
logein
laadu
yaa
shiro?
Jo
bhi
milta
hai
use
le
lete
hain.”

However,
this
logic
doesn’t
apply
when
it
comes
to
film-viewing.

At
a
time
when
the
audience
is
spoilt
for
choice,
only
a
well-written,
entertaining
film
will
find
its
way
into
their
hearts.
Apart
from
Ranveer
Singh’s
sincere
act,
Jia
Vaidya’s
spunkiness
and
a
few
hilarious
one-liners,

Jayeshbhai
Jordaar

hardly
has
anything
else
to
keep
you
engaged.



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